This is the magazine desk, not a table of checkboxes. Pages arrive as lastre on a light table. You turn them, you pull the ones that do not belong, you drag the contact sheet until the sequence reads.
Crop lives on its own spread. Here the work is orientation, order, and what stays in the form.
The job talks to the lab as edit-pdf. If that press is not on yet, the table still lets you compose — it will not pretend a file came back.
Guest flow: leave the sheet, watch the plate, download. For history and Studio stock, open an account — after, not before.